By Song Hwee Lim
Providing a serious research into questions of temporality, materiality, and aesthetics, and reading techniques of authorship, cinephilia, and nostalgia, track Hwee Lim deals perception into cinematic slowness during the movies of the Malaysian-born, Taiwan-based director Tsai Ming-liang. via designated research of facets of stillness and silence in cinema, Lim delineates the concepts wherein slowness in movie should be built. via drawing on writings on cinephilia and the movies of administrators similar to Abbas Kiarostami, Hou Hsiao-hsien, and Nuri Bilge Ceylan, he makes a passionate case for a sluggish cinema that demands renewed consciousness to the picture and to the adventure of time in movie.
Tsai Ming-liang and a Cinema of Slowness will communicate to readers with an curiosity in artwork cinema, queer reviews, East Asian tradition, and the query of time. In an age of unrelenting acceleration of speed either in movie and in existence, this booklet invitations us to pause and hear, to linger and glance, and, principally, to take issues slowly.
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Tsai Ming-Liang and a Cinema of Slowness by Song Hwee Lim