By A. Clutton-Brock
This number of short yet insightful essays, notwithstanding constantly returning to the author’s principal conviction that the standard of inventive endeavour relies now not on participants of genius yet at the perspective of the general public in the direction of artwork itself, examines a large choice of targeted yet similar matters: the connection among traditional and creative good looks; the genius of Da Vinci and Nicholas Poussin; the effect of femininity on ecu artwork; the significance of fine feedback; paintings as a social phenomenon; the function of the passions; and a number of linked topics.
First released in 1919, A. Clutton-Brock’s reflections at the nature and serve as of artwork undergo the marks of the deep anxieties following the 1st global conflict, and will hence communicate to a new release equally confronted with uncertainty.
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Essays on Art (Routledge Revivals) by A. Clutton-Brock