By Steven E. Aschheim
Brothers and Strangers strains the heritage of German Jewish attitudes, regulations, and stereotypical photographs towards japanese eu Jews, demonstrating the ways that the ancient rupture among japanese and Western Jewry constructed as a functionality of modernism and its imperatives. by way of the Eighteen Eighties, such a lot German Jews had inherited and used such destructive photographs to represent rejection in their personal ghetto prior and to stress the distinction among smooth “enlightened” Jewry and its “half-Asian” counterpart. additionally, stereotypes of the ghetto and the japanese Jew figured prominently within the development and disposition of German anti-Semitism. no longer all people shared those adverse preconceptions, in spite of the fact that, and through the years a competing post-liberal photograph emerged of the Ostjude as cultural hero. Brothers and Strangers examines the genesis, improvement, and results of those altering forces of their frequently complicated cultural, political, and highbrow contexts.
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Extra resources for Brothers and Strangers: The East European Jew in German and German Jewish Consciousness, 1800–1923
Brothers and Strangers: The East European Jew in German and German Jewish Consciousness, 1800–1923 by Steven E. Aschheim